At first glance, everything is there: the delicacy, the striations, the apparent fragility, a piece of birch bark – familiar, almost self-evident. But the hand contradicts the eye. The touch encounters an unexpected, dense weight. What seemed light offers resistance; what appeared familiar is transformed.
Disruption plays on this gap: between appearance and substance, between recognition and surprise. This work unsettles our points of reference, like those moments when the unknown seems familiar, or, conversely, when the familiar suddenly becomes uncertain.
