{"id":4797,"date":"2026-07-15T11:55:26","date_gmt":"2026-07-15T09:55:26","guid":{"rendered":"https:\/\/www.sarabadrschmidt.com\/?page_id=4797"},"modified":"2026-11-04T13:31:39","modified_gmt":"2026-11-04T12:31:39","slug":"duality-1","status":"publish","type":"page","link":"https:\/\/www.sarabadrschmidt.com\/fr\/duality-1\/","title":{"rendered":"Duality I"},"content":{"rendered":"

[vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text css_animation=\u00a0\u00bbleft-to-right\u00a0\u00bb]La sculpture se d\u00e9ploie en trois parties, r\u00e9unissant deux lieux profond\u00e9ment ancr\u00e9s dans la m\u00e9moire et le sentiment d\u2019appartenance. Ces deux lieux \u00e9taient deux piliers, deux points d\u2019attache essentiels, dont les racines prenaient vie dans des terres bien pr\u00e9cises.<\/p>\n

\u00c0 gauche, Beyrouth, Liban – 35\u00b029\u201939.91\u2019\u2019E
\n<\/b>L\u2019appartement tout entier baignait dans la lumi\u00e8re, gr\u00e2ce \u00e0 ses hauts plafonds et \u00e0 ses portes en verre souffl\u00e9. Un tapis persan recouvrait le sol du salon.<\/p>\n

\u00c0 droite, Dalar\u00f6, Su\u00e8de – 59\u00b07\u201959.016\u2019\u2019N
\n<\/b>La maison se trouvait au bord de la mer, sur une p\u00e9ninsule, et son jardin s\u2019avan\u00e7ait dans l\u2019eau. Elle avait \u00e9t\u00e9 imagin\u00e9e en osmose avec le paysage environnant : les rochers, le ciel, la mer, les arbres et les cris des mouettes.<\/p>\n

Entre les deux, une vitre repr\u00e9sente le ciel<\/b>, un lien transparent reliant ces deux mondes \u00e9loign\u00e9s.<\/p>\n

Deux maisons, deux paysages, deux points d\u2019ancrage, unis par le ciel qui s\u2019\u00e9tend entre eux.[\/vc_column_text][vc_column_text]> We left home\u2026 but what is home \/ Saleh Barakat Agial Gallery, Beyrouth<\/a>[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb2\/3″][vc_column_text]<\/p>\n

Duality I<\/h4>\n

Techniques mixtes, 20 x 40 x 25 cm[\/vc_column_text][vc_row_inner gap=\u00a0\u00bb15″][vc_column_inner width=\u00a0\u00bb1\/2″][vc_single_image onclick=\u00a0\u00bblink_image\u00a0\u00bb image=\u00a0\u00bb4815″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/2″][vc_single_image onclick=\u00a0\u00bblink_image\u00a0\u00bb image=\u00a0\u00bb4800″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text css_animation=\u00a0\u00bbleft-to-right\u00a0\u00bb]La sculpture se d\u00e9ploie en trois parties, r\u00e9unissant deux lieux profond\u00e9ment ancr\u00e9s dans la m\u00e9moire et le sentiment d\u2019appartenance. Ces deux lieux \u00e9taient deux piliers, deux points d\u2019attache essentiels, dont les racines prenaient vie dans des terres… <\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4797","page","type-page","status-publish","hentry"],"yoast_head":"\nDuality I - Sara Badr Schmidt<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sarabadrschmidt.com\/fr\/duality-1\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Duality I - Sara Badr Schmidt\" \/>\n<meta property=\"og:description\" content=\"[vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text css_animation=\u00a0\u00bbleft-to-right\u00a0\u00bb]La sculpture se d\u00e9ploie en trois parties, r\u00e9unissant deux lieux profond\u00e9ment ancr\u00e9s dans la m\u00e9moire et le sentiment d\u2019appartenance. 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