{"id":2148,"date":"2021-03-02T12:03:04","date_gmt":"2021-03-02T11:03:04","guid":{"rendered":"https:\/\/www.sarabadrschmidt.com\/?page_id=2148"},"modified":"2022-06-27T14:19:56","modified_gmt":"2022-06-27T12:19:56","slug":"presse-cover-magazine","status":"publish","type":"page","link":"https:\/\/www.sarabadrschmidt.com\/fr\/presse-cover-magazine\/","title":{"rendered":"Presse – Cover Magazine"},"content":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_column_text css_animation=\u00a0\u00bbleft-to-right\u00a0\u00bb]<\/p>\n

Origins<\/strong><\/h4>\n
Summer 2021<\/h5>\n
by Rachel Meek<\/h5>\n
Photo : Nina Slavcheva<\/h5>\n

\u00ab\u00a0Je ne fais pas des tapis pour d\u00e9corer. Je consid\u00e8re mes tapis comme des \u0153uvres d’art. Les mat\u00e9riaux et la technique sont au service du concept\u00a0\u00bb.<\/strong><\/p>\n

L’artiste conceptuelle Sara Badr Schmidt d\u00e9crit comment son h\u00e9ritage su\u00e9dois et libanais l’a inspir\u00e9e \u00e0 cr\u00e9er des tapis, d\u00e9clarant : \u00ab\u00a0dans mes deux pays, les tapis sont importants pour diff\u00e9rentes raisons li\u00e9es \u00e0 la culture et au climat.\u00a0\u00bb<\/p>\n

Son grand-p\u00e8re \u00e0 Beyrouth avait une usine de soie et, en hiver, il utilisait des tapis de soie sur les murs et les si\u00e8ges. En Su\u00e8de, les tapis en laine sont utilis\u00e9s toute l’ann\u00e9e.
\nAvec une formation en typographie et en graphisme, sa qu\u00eate de typographie nette sous forme tiss\u00e9e l’a conduite au N\u00e9pal, o\u00f9 elle s’est \u00e9prise du processus de tissage et a commenc\u00e9 \u00e0 prendre des commandes de tapis pour des collectionneurs d’art parisiens. \u00ab\u00a0Je ne fais pas des tapis pour d\u00e9corer\u00a0\u00bb, dit-elle, \u00ab\u00a0je les inclus dans ma pratique artistique. Les mat\u00e9riaux et la technique sont au service du concept\u00a0\u00bb. Colorshot s’inspire d’une peinture italienne du Trecento combin\u00e9e aux caract\u00e9ristiques du vitrail – l’art abstrait de l’\u00e9poque. Les diff\u00e9rentes sections sont faites de divers mat\u00e9riaux, dont le cachemire, la laine et la soie. Les lignes de s\u00e9paration sont en lin. \u00ab\u00a0La vie artistique est solitaire, la fabrication de tapis est interactive. Je dois respecter certaines contraintes, mais je les utilise comme un moyen pour stimuler ma cr\u00e9ativit\u00e9\u00a0\u00bb, explique-t-elle.[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb2564″ img_size=\u00a0\u00bblarge\u00a0\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_column_text css_animation=\u00a0\u00bbleft-to-right\u00a0\u00bb] Origins Summer 2021 by Rachel Meek Photo : Nina Slavcheva \u00ab\u00a0Je ne fais pas des tapis pour d\u00e9corer. Je consid\u00e8re mes tapis comme des \u0153uvres d’art. Les mat\u00e9riaux et la technique sont au service du concept\u00a0\u00bb. L’artiste… <\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2148","page","type-page","status-publish","hentry"],"yoast_head":"\nPresse - Cover Magazine - Sara Badr Schmidt<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sarabadrschmidt.com\/fr\/presse-cover-magazine\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Presse - Cover Magazine - Sara Badr Schmidt\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_column_text css_animation=\u00a0\u00bbleft-to-right\u00a0\u00bb] Origins Summer 2021 by Rachel Meek Photo : Nina Slavcheva \u00ab\u00a0Je ne fais pas des tapis pour d\u00e9corer. 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