{"id":1745,"date":"2021-01-22T12:19:24","date_gmt":"2021-01-22T11:19:24","guid":{"rendered":"https:\/\/www.sarabadrschmidt.com\/?page_id=1745"},"modified":"2021-01-23T18:07:27","modified_gmt":"2021-01-23T17:07:27","slug":"la-dimension-absence","status":"publish","type":"page","link":"https:\/\/www.sarabadrschmidt.com\/fr\/la-dimension-absence\/","title":{"rendered":"La dimension absence"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=\u00a0\u00bb2\/3&Prime;][vc_column_text css_animation=\u00a0\u00bbleft-to-right\u00a0\u00bb]Une absence se laisse-t-elle facilement caresser ? Car l&rsquo;absence, ici, d\u00e9gage une telle violence qu&rsquo;on se demande comment l&rsquo;amadouer et \u00e0 d\u00e9faut, o\u00f9 se cacher. Et \u00e0 conna\u00eetre Sara Badr, la question devient perplexit\u00e9, complexit\u00e9, rappel de cette doublure patiemment, sournoisement cousue par la vie au revers de notre structure.<\/p>\n<p>D&rsquo;abord, il y a ce visage &#8211; \u00ab jamais \u00bb a-t-il (elle) un visage ? Il est tellement pas l\u00e0, tellement &#8211; dos tourn\u00e9 &#8211; de l&rsquo;autre c\u00f4t\u00e9 du v\u00e9cu, de l&rsquo;avouable, que finalement on ne voit que lui. Un peu comme quand devant un mutil\u00e9, on ne r\u00e9ussit \u00e0 le d\u00e9finir que par son amputation, par l&rsquo;invitation latente \u00e0 n\u00e9gocier avec, par et pour le membre manquant. Apr\u00e8s tout, y a-t-il plus omnipr\u00e9sent que notre propre visage que l&rsquo;on voit, pourtant et tout compte fait, si peu ? Cette femme double (diptyque), cette femme-puzzle donc, a r\u00e9ussi \u00e0 nous fixer du regard ; mais oui, \u00e0 nous d\u00e9-visager. A la conscience subite, aigue, d&rsquo;un regard forc\u00e9ment int\u00e9rieur, r\u00e9pond le judas (judas le tra\u00eetre par qui le viol arrive) : une tentation \u00e0 venir y voir de plus pr\u00e8s, de plus dedans. Et dedans, justement, il y a le texte, lui-m\u00eame tronqu\u00e9, lui-m\u00eame qui abandonne la peinture, la court-circuite, change encore une fois la r\u00e8gle du jeu, ajoute une dimension suppl\u00e9mentaire \u00e0 l&rsquo;expression, une case impr\u00e9vue au puzzle. Peu importe ce qui s&rsquo;est dit, au fond, au sens litt\u00e9ral du fond, lorsqu&rsquo;on en ressort abasourdis, ivres, sonn\u00e9s, on s&rsquo;y est d\u00e9j\u00e0 pris la claque de comprendre la non-toile, la non-peinture qu&rsquo;on vient, \u00e0 notre insu, de contempler. Accoure-t-on du regard, alors, se blottir aupr\u00e8s du non-visage maintenant si familier, si rassurant ? Se r\u00e9v\u00e8le \u00e0 nous, encore et encore une autre absence, celle de la couleur. \u00ab Sara, Sara, a-t-on envie de dire, pourquoi tant de cruaut\u00e9 ? \u00bb. Comme si elle nous refusait, le plaisir trop facile, amput\u00e9s que nous sommes, de faire de la couleur la b\u00e9quille, en tous cas une b\u00e9quille disponible, dans ce trajet clopin-clopant au bras de l&rsquo;absence.<\/p>\n<p>Au lieu de la couleur tant d\u00e9sir\u00e9e, on a l&rsquo;impression que cette femme, sans visage si plurielle au regard si lucide, ne saurait poser gentiment, gratuitement, convenablement, dans une toile. Elle se colle, comme qui dirait \u00e0 un mur d\u00e9lav\u00e9 comme il y en a tant dans cette ville o\u00f9, envers et contre la mer, l&rsquo;humidit\u00e9, l&rsquo;averse, l&rsquo;eau rejet\u00e9e par la montagne et la flaque totale qui les r\u00e9unit, les gens refusent &#8211; absurde pr\u00e9tention &#8211; de se mouiller. C&rsquo;est alors qu&rsquo;on se rend compte que Sara Badr nous a bel et bien mouill\u00e9s, tremp\u00e9s jusqu&rsquo;\u00e0 l&rsquo;absence dans son monde &#8211; notre monde &#8211; rond, tel ce fotus du d\u00e9part, et que nous traversons tout en sachant pertinemment, absolument, que la mort a un visage et que m\u00eame lorsqu&rsquo;elle feint nous tourner le dos, elle pose sur nous un regard lucide. S&rsquo;amuse-t-elle, peut-\u00eatre \u00e0 nous observer jouer, pr\u00e9tendre, aimer, mentir et nous fabriquer des b\u00e9quilles, bref : vivre en attendant de nous montrer son visage &#8211; notre vrai visage &#8211; l&rsquo;heure venue et le cercle boucl\u00e9.<\/p>\n<p>Un cercle tellement brutal qu&rsquo;on a envie, question de toucher, de sens, de n\u00e9gociation, de le caresser, comme dirait l&rsquo;autre, pour voir un peu s&rsquo;il est vicieux. D&rsquo;o\u00f9 la question : Sara Badr, une absence se laisse-t-elle facilement caresser ?<\/p>\n<h5><strong>Hani Hammoud,\u00a0directeur g\u00e9n\u00e9ral de Radio Orient, Paris<\/strong><\/h5>\n<h5><em>extrait du catalogue de l&rsquo;exposition <\/em><\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/3&Prime;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=\u00a0\u00bb2\/3&Prime;][vc_column_text css_animation=\u00a0\u00bbleft-to-right\u00a0\u00bb]Une absence se laisse-t-elle facilement caresser ? Car l&rsquo;absence, ici, d\u00e9gage une telle violence qu&rsquo;on se demande comment l&rsquo;amadouer et \u00e0 d\u00e9faut, o\u00f9 se cacher. Et \u00e0 conna\u00eetre Sara Badr, la question devient perplexit\u00e9, complexit\u00e9, rappel de cette&hellip; <\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1745","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La dimension absence - Sara Badr Schmidt<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sarabadrschmidt.com\/fr\/la-dimension-absence\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La dimension absence - Sara Badr Schmidt\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=\u00a0\u00bb2\/3&Prime;][vc_column_text css_animation=\u00a0\u00bbleft-to-right\u00a0\u00bb]Une absence se laisse-t-elle facilement caresser ? Car l&rsquo;absence, ici, d\u00e9gage une telle violence qu&rsquo;on se demande comment l&rsquo;amadouer et \u00e0 d\u00e9faut, o\u00f9 se cacher. 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